Until very recently, Chicago’s iO Theater stood in the shadow of Wrigley Field. If you had a show on a game night, it was awful getting to the theater. When you arrived, you’d stand outside to warm up while wave after wave of homeless guys would stumble through your circle and beg you for change. It was less than ideal. Now, the site where iO stood is just a dirt lot being prepped to become a huge Walgreens or some other dumb chain. It’s probably for the best. Winning teams attract even bigger crowds, making it even harder to focus on object work or word association before a show.
Today, the Cubs are world champions. They lost for 108 years before finally sealing the deal. It is true in improvisation as well as baseball, you may suck for a minor eternity before you finally get a win. You keep learning and trying new things and experiencing setbacks, but you can’t give up. I do believe Second City will hire me in about 106 more auditions.
On the night the Cubs finally won, I had to direct a tech rehearsal for a sketch show. I was pissed. My baseball-loving wife of 31 days was pissed I would not be with her. Did we really have to do our tech on that night of all nights? As the game bounced back and forth between the Cubs and Indians, I was literally supervising someone pressing a button to make a fart noise at the proper time. It was the last place I wanted to be. But the show was going up in 24 hours. It was my duty to direct, so I did. As theater folk, we give up a lot to entertain audiences. People may come and see a show and laugh, but they don’t know about all the work that went into it. A grand total of zero people will approach me after this sketch show and say, “Excuse me, are you the director? I very much enjoyed the direction of this show and I would like to thank you for sacrificing Game 7 of the motherfucking World Series when the motherfucking Cubs won for the first time in 108 motherfucking years so you could make sure that motherfucking fart cue came in at the right time tonight. Cheers.”
Anyway, the rehearsal was less than a half-mile from Wrigley Field. As I walked home, I stopped to grab video of the mobs of people peering through windows at televisions, the crowds of crying, laughing and hugging people, the weirdos who just wanted to scream and the people who just turned out to party. You can watch it below.
Chicago is my favorite city for a lot of reasons. It’s a town of underdogs. Lots of people come here to make a name for themselves because they don’t want to do what their fathers did in small towns across the Midwest. The people who come here to study improvisation are almost universally kind and smart and eager to learn. Ego and backstabbery are advanced courses taught only in New York or Los Angeles. Here, it’s about the work. And sometimes the work means missing out on sharing what may be the happiest day in your city’s history because of fart noises. Such is the bargain we have made.
I spent two hours walking 1.5 miles through Wrigleyville on the night the Cubs won and it reminded me of the prime directive of improvisation: Yes And. The “Yes” was evident. All the people in the neighborhood had agreed that the Cubs finally won and this was a good thing. The “And” took many forms: a guy in a horse mask, the Stay-Puft Marshmallow Man, two cute girls making out. I shot it all and marveled at how everyone was getting along. There was no judgment about how someone chose to celebrate, there was acceptance, smiles and participation. You couldn’t have planned the crazy menagerie of costumes and styles of celebration. It just was. People were eager to join in with whatever they had to contribute. Every person brought a brick and together, they built a cathedra. I just wanted to document it all.
If you’d like to learn directly from me, I’m teaching Level One at Chicago’s Under the Gun Theater starting in December. Register here. Save $25 by enrolling before November 14 with the code “early.”
And if you’d like to hear that fart noise in all its glory, the all-female sketch revue, Lip Cervix, is running Nov. 3-Dec. 15 at the Public House Theater, just a stone’s throw from Wrigley Field.